Julia Fischer has chosen a rare and inspired coupling, the Bruch G minor and Dvořák A minor Violin Concertos. The “brilliant and
musically insightful German violinist” (The New York Times) is joined
by the Tonhalle-Orchester Zürich and David Zinman.
Reviewing Julia Fischer’s performance of the Dvořák Concerto in
London, The Guardian wrote, “Dvořák’s Violin Concerto, a romantic
showpiece too often passed over in favour of Bruch and Mendelssohn,
has a piquant slow movement to compete with either. Fischer made
sure we heard every note, handing us each bar with absolute technical
assurance and in a lustrous, seamless tone.”
Fischer points out that the two concertos have much in common: “Formally they are very similar. Both first
movements start with quasi-improvised phrases, and both go into the second movement without a break.
The slow movements are structurally very similar – each is of heightened importance within the concerto.”
The concertos were composed approximately a decade apart and both composers sought input from the
great Hungarian violinist Joseph Joachim.
Julia Fischer wished to record the concertos with the Tonhalle-Orchester Zürich and David Zinman, with
whom she has a special relationship. “One of my first concerts was with the Tonhalle Zürich and I first played
with David Zinman in 2003. He is a very natural musician and very intelligent but in the end he simply makes
music. That is a gift.” Fischer was artist-in-residence with the Tonhalle-Orchester Zürich in 2009–2010. The
distinctive sound of the orchestra, perfectly suited to the music of Bruch and Dvořák, is enhanced by the
acoustic of their 1895 concert hall, where the concertos were recorded.
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