Between 1874 and 1878, the young Antonín Dvorák received help from the
Austrian government to compose musical works. At that time, he was a
promising composer who, having been brought up in Bohemia, not only
spoke German but also demonstrated a profound knowledge of the Central
European musical tradition. The composer, with all this, very quickly
faced reality: in the Vienna of that time what they wanted of a Czech
composer was music that sounded Czech, not German. Of the works he wrote
in those years, the one that caught the publisher´s and Brahm´s
attention was his song cycle, Moravian Duets. They particularly stood
out if we keep in mind, as mentioned by Michael Beckerman, that to the
Bohemian composer the Moravian culture was as foreign as any other. This
is how history, with its selective forgetfulness, has prolonged for
years the European rule that has been to label Dvorak a nationalistic
Czech composer and author of various worthy symphonies. That he left
more than a hundred songs written, that his inspiration went far beyond
Bohemian folklore and that he was one of the most prolific Opera
composers of his time are irrelevant questions. This recording from
Spanish mezzosoprano Marta Infante and pianist Jorge Robaina gives us an opportunity to hear some songs that seem to have been written out of
their time.
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