Rising pianist Ekaterina Litvintseva writes of this release in which she
performs Brahms’ Piano Concerto No. 1 in D minor Op. 15: “From a
technical and musical perspective, it is one of the hardest concertos
ever written! What clearly distinguishes it from other concertos is its
symbiosis of orchestra and pianist. What I mean is that the orchestra
and pianist are very closely interlinked so as to give the concerto a
thoroughly symphonic complexion. It is known that Brahms originally
conceived the work as a symphony. It stands to reason, therefore, that
this work should sound symphonic. The task set before the pianist when
tackling this work is a very tall order, namely the challenge of playing
a 50-minute concerto and, throughout every minute, immersing oneself in
the music without losing sight of the overall picture. A useful analogy
might be to imagine a mountainous landscape and, whilst enjoying the
harmony and unity of the mountains, also to observe their slightest
elevations and hollows. I believe that nature abounds in this work, as
if I were to breathe in the fresh mountain air, feel its vigor and
visualize scenic colors. I have put so much time and energy into this
concerto. By giving so many concerts, I was able to thoroughly immerse
myself in the music and experiment with it 13 times. So I think I’m
justified in saying that it has become my concerto.“
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