Award-winning cellist and composer Peter Gregson
is the latest contemporary composer to be invited by Deutsche
Grammophon to reinterpret iconic works in the classical canon for their
pioneering Recomposed series. Gregson follows in the footsteps of
contemporaries Matthew Herbert, Matthias Arfmann, Jimi Tenor and Max
Richter, whose Recomposed by Max Richter – Vivaldi: The Four Seasons was the latest, hugely popular release in the series.
For
his record, Gregson has ‘recomposed’ perhaps the best-loved of all
works for his instrument, the Bach Cello Suites. His approach was to
retain the shape and flow of the suites, whilst still allowing his own
aesthetic to come through. Gregson’s reinterpretation adds a new
instrumental dimension, reimagining them for a five-person cello
ensemble, analogue synthesizers and his own solo cello. The recording
was made at the infamous AIR Studios in London with complex and high
production values that made use of the physical space. The five cellists
were widely dispersed throughout the studio galleries and Gregson
turned the variety of analogue synthesizers, which he played himself,
into acoustic instruments by re-amplifying them. The result is a
multilayered sound that brings a new aural dimension to the works.
Recomposed by Peter Gregson: Bach – The Cello Suites marks the start of a new and exclusive partnership with Deutsche Grammophon.
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