Hélène Desaint, Laureate of the Queen Elisabeth Music Chapel, presents a
recital with two facets that are an admirable illustration of her
personality: ‘This disc was born of my fascination with Schumann.
Everything about him captivates me: the tormented human being, the great
reader fascinated by the fantastical and the supernatural, the
brilliant and introverted composer, the poet who goes where words cannot
go, the music, powerfully evocative at once of human characters or
tableaux and of complex states of mind. In 1990, György Kurtág composed a
trio in homage to Schumann – a way of straddling the centuries and
opening up a dialogue between two styles, of reviving the imaginary
figures and short contrasting forms with which we are familiar in
Schumann. So it seemed an obvious idea to build a programme around these
two composers. The comparison seems all the more interesting to me
because I find in their music the same interiority, the same
concentration (in Kurtág’s work, this density goes so far as to permeate
every note), the same concision.’ (Hélène Dessaint)
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