The London Haydn Quartet's cycle of Haydn string quartets has combined several distinctive features. The recordings have used a variety of editions from Haydn's own time, theoretically offering a more detailed idea of Haydn's
intentions than do those drawing on 19th century traditions. The 1796
editions used here don't contain anything earthshaking, but they contain
small details of dynamics that close listeners will find fresh. Even
better, the approach of the London Haydn Quartet
matches these editions. The approach is detailed and rather dry, using
gut strings and period bows, and it clearly elucidates the intricate
structure of the opening movements of the Op. 71 and Op. 74 quartets,
several of which open with a single simple kernel that is profoundly
elaborated. The London Haydn Quartet steers clear of the usual jocular Haydn
persona, and you may find the minuets lacking in wit. Sample and
determine for yourself (the Minuet and Trio of the String Quartet in F
major, Op. 74, No. 2, is representative), but it's easy to see why the
quartet's Haydn recordings are finding a niche in the marketplace. (James Manheim)
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