There is something slightly mystical about the string quintet, with
its extra layer of harmony added to the more familiar two violins, viola
and cello quartet line up. For Luigi Boccherini the extra instrument
was a cello, and he wrote more than a hundred pieces for that line-up.
Franz Schubert followed that model on his one quintet. Mozart wrote half
a dozen for a quintet with an extra viola, and that was the shape
adopted by Mendelssohn, Dvorak, Bruckner, Frank Bridge – and Johannes
Brahms. Characteristically, Brahms worried at the form over the whole
course of his lifetime, destroying the attempt of his late 20s in his
perfectionist way. The two he completed were written eight years apart
and are performed here by an international group led by the
concertmaster of the German broadcasting orchestra, Chinese violinist Ye
Wu. They are by a composer at the height of his powers. The Opus 88 in F
is in three movements and culminates in a technically immaculate
example of serene pastoral counterpoint, while the Opus 111 in G major
was announced by the composer as his final work, although clarinettist
Richard Muhlfeld's virtuosity would make him rethink that decision. This
recording is an eloquent statement of the finest Romantic chamber
music. (Keith Bruce)
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