
In comparison to the violin and cello, the viola has always had a small
repertoire, and works for other instruments have been adapted to augment
it. Of the three pieces on this 2013 release by violist Lise Berthaud and her accompanist, Adam Laloum, only Robert Schumann's Märchenbilder was conceived from the beginning for viola and piano. Franz Schubert's
"Arpeggione" Sonata was originally composed for a six-stringed
cello-like instrument, and the music was transposed to the viola's range
and arranged to be playable on four strings.
The Sonata No. 2 in E flat major by Johannes Brahms
was written for clarinet and piano, but he was so taken with the
possibilities that he subsequently arranged it for viola and violin. Yet
all three works have become staples for violists, and the program is
unified by a common Romantic style and means of expression. Berthaud
produces a rich and deeply vibrant tone, and her smooth, sustained
lines and lyrical style give these pieces a strong feeling of
connectedness. At the piano, Laloum provides understated support that underpins Berthaud's
playing with warm harmonies and vigorous rhythms, yet never dominates
or pushes the music along. The microphone placement puts the viola front
and center, and every note is fully audible, even at the softest
dynamics.
(Blair Sanderson)
No hay comentarios:
Publicar un comentario