
In Leipzig, past and present have always gone hand in hand, a
successful fusion that will soon be encapsulated in a very special
four-week-long music festival. Taking place in the city between 18
February and 24 March, the festival will mark both the 275th anniversary of the Leipzig Gewandhausorchester, and the official inauguration as the 21st Gewandhauskapellmeister
of the exceptional Latvian conductor Andris Nelsons, one of the most
exciting musicians on the world stage today. Deutsche Grammophon is
joining in the celebrations by releasing two new albums that not only
showcase Nelsons and his new orchestra, but also continue the
long-established links between Leipzig and Bruckner.
The first of these albums, scheduled for release on 16 February 2018,
features Bruckner’s Fourth Symphony alongside the Prelude to Wagner’s Lohengrin.
The pairing reveals the remarkable affinities between the two
composers’ idioms. Rich in contrast and musical imagery, both works have
the power to captivate their listeners, a quality enhanced by Nelsons’
highly focused and sensitive interpretations.
The second Bruckner/Wagner album to appear this spring will feature
the Austrian composer’s Seventh Symphony, a work more closely connected
with Leipzig and the Gewandhausorchester than virtually any other ever
written. Under the baton of the then Gewandhauskapellmeister Arthur
Nikisch, the orchestra gave the symphony’s world premiere in the city’s
municipal theatre in 1884, and the Seventh has been performed in Leipzig
countless times since. It was therefore an obvious choice to include
this legendary work in the orchestra’s 275th anniversary gala
concert which Andris Nelsons will conduct on 11 March 2018. Captured
live, this unique performance will be released on 6 April in Germany and
20 April worldwide, in a pairing with Siegfried’s Funeral Music from
Wagner’s Götterdämmerung.
Both albums are part of Deutsche Grammophon’s upcoming complete
Bruckner cycle with Nelsons and the Gewandhausorchester. In each case,
the Bruckner symphony in question will be complemented by an excerpt
from one of Wagner’s operas, an innovative programming decision which,
along with the high-calibre performers involved, gives the new cycle a
distinctive edge. Coupling the symphonies with music by Wagner enables
listeners to discover two composers of contrasting character whose works
nevertheless display some fascinating similarities of conception. (Deutsche Grammophon)
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