The first official joint recording from legendary artists Seiji Ozawa and Martha Argerich
features the performance of Beethoven’s First Piano Concerto and
Beethoven’s First Symphony with the Mito Chamber Orchestra.
Ozawa
and Argerich first performed together nearly 40 years ago in October
1979 when Argerich made her sensational Boston Symphony debut – her
rendition of Prokofiev’s Third Piano Concerto was described as
“incendiary” by the Boston Herald. Although their performances
have lit up the international concert stage and their friendship has
grown since then, the pair have never officially recorded together until
now. Beethoven’s First Symphony and First Piano Concerto marks a significant moment in recording history.
This
new landmark Beethoven recording is Ozawa’s first release since his
2015 Grammy award-winning Ravel album and is also the first
international release by Ozawa and the Mito Chamber Orchestra: a
hand-picked ensemble of international players drawn from Japan, Europe,
and North America. The orchestra was established in 1990 under Ozawa’s
direction and has collaborated with some of the world’s most celebrated
musicians – from Szymon Goldberg to Mstislav Rostropovich, Andras Schiff
to Ton Koopman. “Whenever I am working with them,” says Ozawa, “I feel I
have an invaluable opportunity – as have the orchestra’s musicians – to
reflect on what it really means to ‘do music’ once again.”
Seiji
Ozawa first recorded a Beethoven symphony half a century ago (the Fifth
with the Chicago Symphony Orchestra in 1968). He studied Beethoven with Hideo Saito, the celebrated Japanese conductor, cellist, and teacher who
had studied in Berlin and Leipzig in the late 1920s with Emmanuel
Feuermann among others. Ozawa famously went on to study with Herbert Von
Karajan in Berlin and was Leonard Bernstein’s assistant at the New York
Philharmonic in the early 1960s.
Martha Argerich continues
to be one of the most extraordinary pianists performing today. Together
with Seiji Ozawa, this formidable duo brings spontaneity and insight
into Beethoven’s work.
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