Period performance on a string quartet involves the strings and the bow
more than the instruments themselves, which may well date from the 18th
century even in the case of modern performances. The London Haydn
Quartet, using gut strings and Classical-era bows, is one of the leading
groups devoted to historical performances of the monuments of the
quartet literature, and this double album is part of a series devoted to
Haydn's 68 quartets. They cultivate a light, at times almost
fantastical sound that forms an intriguing contrast with the often dense
and economical structures of these quartets. Sample one of the
quintessential Haydn monothematic opening movements—say, that of the
String Quartet in E flat major, Op 50, No 3—for the effect. The players
have a really nice way with the languid slow movements, and the wit of
the minuets is understated. All these pieces can be played in other
ways, but it's worth investigating to see whether these rather sensuous
readings click with you. A major attraction is Hyperion's Potton Hall
sound, musically appropriate and technically flawless. The proclamation
in the graphics that the quartets are "performed from the Artaria
edition published in Vienna in December 1787" is less interesting than
it may sound; many performances derive from this edition or its
successors, which in some respects slightly distorted the four Haydn
autographs that remain from the set of six. But this is distinctive and
attractive Haydn overall. (AllMusic)
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