The latest striking release from soprano Roberta Invernizzi
acts as a lightning conductor for this new vocal extravaganza from
Glossa devoted to the Italian Baroque composer Francesco Gasparini. Invernizzi
finds herself very much home both in the music – which was originally
first performed around the turn of the eighteenth century and which
provided “influences” for Handel, who was Gasparini’s junior by some 20
years – but also, so noticeably, with the words: librettos from the
likes of Zeno, Piovene or Salvi find this singer exercising her
customary intelligence.
Carlo Ipata, directing his
ensemble Auser Musici, combines his natural and obvious flair for
Italian and music of the time – he has also recorded the opera Il Bajazet
for Glossa – with the painstaking demands of the research required to
identify brilliant arias from slumbering the various shades of neglect.
Gasparini wrote some sixty operas, as well as oratorios and many
cantatas. For Invernizzi
Ipata has crafted a beguiling selection from this abundance of music
which proved so successful in both princely soirées in Rome and public
theatres in Venice. Arias come from operas such as Il Roderigo and Amleto and oratorios such as L’oracolo del Fato and Atalia. As well as the cantata, Andate o miei sospiri,
composed by Gasparini as part of a challenge undertaken jointly with
Alessandro Scarlatti, Ipata and Auser Musici have added an attractive
flute concerto written during his time as a teacher at Venice’s Ospedale
della Pietà. (Glossa)
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