Paul Neubauer / Joshua Roman / Royal Northern Sinfonia / Rebecca Miller AARON JAY KERNIS Dreamsongs - Three Concertos

While Dreamsongs is a concerto for cello and chamber orchestra, it doesn’t take on the forms of older concerti. Rather than the almost ubiquitous three movement layout—Fast-Slow-Fast—it has only two movements, both of which mix slow and fast with dramatic and lyrical sections. The first, 'Floating Dreamsongs' is mostly slow and airy, and is built as a group of continuously developing variations on the intimate music from its opening and 1st variation with strings, harp and vibraphone. The consonant harmonies become spooked and furtive, building into tremulous marimba and vibraphone rolls with large orchestra chords, and only much later returns to a mostly peaceful character.

Much of the 2nd movement, 'Kora Song', is inspired by music of the African kora, a plucked gourd almost similar in sound to the harp and pizzicato cello combination that opens the movement and is often featured in it. I don’t know of many cello pieces that concentrate on pizzicato playing as much as this movement, and the playing style was developed in close collaboration with the soloist. The music frequently changes direction and features a number of cello cadenzas of smaller and larger size, sometimes with the West African djembe drum. Overall it has a gentle exuberance and is lighter in tone and more energetic than in the opening movement.

Dreamsongs is written for the generous and virtuosic playing of cellist Joshua Roman, who I’ve known for a number of years, and has been my neighbor in New York City until recently. It is dedicated to him. It was co-commissioned for him by the San Francisco Chamber Orchestra, the ProMusica Chamber Orchestra of Columbus, Ohio, and the Bellingham Festival in Washington State.

Jasper String Quartet THE KERNIS PROJECT: DEBUSSY

This album marks the culmination of our decade-long journey with Aaron Jay Kernis’s music for string quartet. From the moment we put bow to string for Aaron’s Second Quartet, we realized his special voice and our connection to his music’s ability to capture both the complexity of the world and the simplicity of a moment. This depth fascinated us, inspired our playing and prompted us to dream of commissioning Aaron’s Third Quartet.

Six years later, after performing and recording his first two Quartets and organizing the commission, we received the first movement of his Third Quartet “River”. As the movements accumulated in our inbox, so did our sense of excitement and dread. It was clear that this piece surpassed its two preceding quartets in complexity and difficulty. The route forward was clear enough, but still daunting. Practice, rehearse, repeat. Through the spring and into the summer the piece started to take shape. Coalescing first a little at a time – glimmers of cleverness, brilliance, atmosphere amid the musical and technical challenges. As those moments grew to sections and then movements that began to make sense, we started to build them into the larger arc. (Aaron Jay Kernis)

James Ehnes JAMES NEWTON HOWARD - AARON JAY KERNIS Violin Concertos BRAMWELL TOVEY Stream of Limelight

This program features the world premiere recordings of three works written for violinist James Ehnes. Familiar to movie fans the world over, James Newton Howard has composed over 120 film scores. Upon being commissioned to write a violin concerto, Howard admitted to feeling, ''thrilled, excited, expectant and ultimately terrified.'' Pulitzer Prize winning composer Aaron Jay Kernis first composed for Ehnes in 2007 and a few years later his Violin Concerto followed. Bramwell Tovey and James Ehnes's musical relationship dates back to 1990, and they have performed together countless times. Stream of Limelight gives James's incredible technique ample opportunity to dazzle, and is a superb finale to this fascinating album of new compositions.

Henning Kraggerud MUNCH SUITE

Munch Suite is a unique recording from acclaimed violinist Henning Kraggerud being released to celebrate the 150th anniversary of the birth of the painter Edvard Munch. It features 15 new solo pieces, every one directly inspired by a specific painting by the great Norwegian artist. Each piece has been written by a different composer, in this case some important figures on the international contemporary music scene including Aaron Jay Kernis, Alissa Firsova and Laurent Petitgirard. The CD is presented in a de-luxe edition box that includes reproductions of each painting depicted in the suite.

The idea to let contemporary composers interpret Edvard Munch's iconic artworks came from the director of the Vestfold International Festival. Violinist Henning Kraggerud immediately saw the artistic potential of the project and the result is a solo suite that reflects the unique position of Munch's work as musical inspiration. The Munch Suite features premiere recordings of 15 pieces specially written by leading contemporary composers including Aaron Jay Kernis, Naji Hakim, Olav Anton Thommessen and Rolf Martinsson. The list includes English composer Peter Seabourne and the British-Russian composer Alissa Firsova, daughter of Elena Firsova.

The work was first heard during the exhibition 'Love's Beach' in 2010 at the Haugar Art Museum near the Åsgårdstrand shores, the place where Munch found motifs for many of his paintings. A small gallery able to accommodate an audience of only 60, each piece was performed in front of 'its own' painting. In connection with the release of the Munch Suite on CD, Kraggerud has developed an exclusive concert performance in which images of the paintings are projected.

Tippet Rise OPUS 2017 Daydreams

Tippet Rise OPUS 2017 is the second compilation album to emerge from the summer music season at Montana’s Tippet Rise Arts Center, which features performance spaces of acoustic perfection amidst a sculpture-laden terrain of awe-inspiring beauty, nestled against a backdrop of the Beartooth Mountains near Yellowstone National Park. From the PENTATONE Oxingale Series, Tippet Rise OPUS 2017 inhabits the sphere of Daydreams, a sculpture by Patrick Dougherty where natural saplings organically emerge out of an eroding schoolhouse.

In this whimsical, imaginary world, composers open a visionary portal to the past and future. In the jazz-infused FIRST CLUB DATE, a world premiere by Aaron Jay Kernis and a Tippet Rise commission, cellist Matt Haimovitz and pianist Andrea Lam illuminate the musical playground of a boy on the cusp of manhood. The new work is dedicated to Haimovitz and the composer’s cellist-son Jonah, with double-entendre movement titles like “Puppy Love” and “Matt’s Monkish Machinations.” Violinist Caroline Goulding and pianist David Fung embody the youthful spirit of George Enescu’s Impressions from Childhood, while a pastoral mood reigns in Eugène Bozza’s Image for solo flute, performed by Jessica Sindell. An epic expansiveness saturates Red Arc / Blue Veil by John Luther Adams, featuring electronics and a wide array of sounds from pianist Vicky Chow and percussionist Doug Perkins. Opening the album is Jeffrey Kahane’s hopeful America the Beautiful, performed on piano by the composer himself, while works by Chopin and Bach, performed by pianists Yevgeny Sudbin and Anne-Marie McDermott, anchor the program with their sheer beauty and virtuosity. (PENTATONE)