Lavinia Meijer VISIONS

VISIONS

Bruckner Orchester Linz / Dennis Russell Davies ISANG YUN Sunrise Falling

Uncompromising in his life as he was in his music, Korean composer Isang Yun (1917–95) held fast to his dream of a united Korea, even as he was unjustly accused of espionage for North Korea and sentenced to imprisonment and death. From a life of unimaginable oppression and torture emerges music of raw emotional power, heard on ISANG YUN: Sunrise Falling, a centennial commemoration of Yun’s life and music from the PENTATONE Oxingale Series. Maestro Dennis Russell Davies, a longtime collaborator and advocate for Yun, curates the program and conducts the Bruckner Orchestra Linz. A cellist himself, Yun’s fascinating, highly autobiographical Concerto for Violoncello and Orchestra (1975/76) anchors the album. In a live performance, cellist Matt Haimovitz tackles the controlled chaos of Yun’s score, bursting with passion, despair, and new timbral textures, such as the use of a plectrum to emulate the Korean zither, the kŏmun’go. Yun’s Concerto for Violin and Orchestra No. 1 (1981) features violinist Yumi Hwang-Williams, who reflects upon her own emotional return to Korea in 2015, where she performed the work at a Festival in honor of Yun. The double album also includes the orchestral Fanfare & Memorial, and additional illuminating solo works by Yun performed by pianist Maki Namekawa, Hwang-Williams, and Haimovitz. 100 years after Isang Yun’s birth, the two Koreas still teeter on a razor’s edge, with ever more global ramifications. His music opens the gate to a lost, united land, with Yun’s own heart bleeding but ever hopeful.

Francisco Fullana THROUGH THE LENS OF TIME

The Spanish violinist Francisco Fullana will release his debut recording in March 2018 with the City of Birmingham Symphony Orchestra. Entitled Through the Lens of Time, the recording brings together four modern perspectives reimagining the Baroque tradition: a dialogue that prompts both composers and performers to explore musical giants of the past and place them in their own lives. ​ 

The recording begins with Max Richter’s daring reworking of Vivaldi’s Four Seasons, which Fullana first performed in 2016 under Venezuelan conductor Carlos Izcaray, who also conducts this debut recording. Fullana comments: “Richter’s Four Seasons Recomposed awoke a renewed commitment to my musical approach focused on instinct and emotion. It brought me back to my own beginnings, as The Four Seasons was one of the few cassettes that my family would play in the car when I was a young boy. During the performance, Carlos Izcaray and I found that we both shared the same energetic approach to music making. It became clear that we both loved performing this piece too much not to do so again.

” ​ The recording continues with three other works that provide unique takes on the Baroque tradition. The Korean-German Isang Yun’s Königliches Thema pays homage to Bach's Musical Offering, conflating Baroque and modern styles in one densely rich composition that magically surveys Western musical tradition through the lens of Eastern philosophies. Meanwhile, Schnittke’s Suite in the Old Style presents a combination of different aspects of the Western tradition from Baroque onward, and is heavily influenced by the musical aesthetic of the composers’ own time. As such, the writing represents a sort of time capsule, portraying what “Baroque style” meant to performers 
in the 1970s, with exaggerated gestures, verticality, and highlighting the sense 
of drama to the point of becoming ceremonial. ​ 

Finally, Salvador Brotons’ Variations on a Baroque Theme hearken to the roots of Fullana's career, and to his first performance before the public as a nine-year-old prodigy soloing in Mozart's Turkish A Major Concerto, under Broton's baton. The one-time mentor composed his set of variations specifically for this project, completing a circle by basing the work on a popular aria from the zarzuela, Acis Y Galatea, by a third Spaniard, the 18th Century Mallorcan composer Antoni Lliteres. (Orchid Classics)

Elina Vähälä / Niek De Groot DUOS FOR VIOLIN AND DOUBLE BASS

Dutch double bassist Niek de Groot is one of today's leading soloists. Originally a trumpet-player he started playing the double-bass at 18. Within an unusually short time he became principal bass with several European ensembles, including a 10 year tenure as first solo-bass with the Royal Concertgebouw Orchestra.

After his formal studies he further developed his skills at the Banff Centre for the Arts, Canada. Niek's playing has benefited a great deal also from attending masterclasses with eminent cellists Frans Helmerson, Lluìs Claret, Laurence Lesser and in collaborations with Leonard Bernstein, György Sebök and Mstislav Rostropovich. 

Since 2006 Niek de Groot has dedicated himself entirely to chamber music and solo performances. He performs regularly as a soloist and chamber musician at the best known concerthalls and music festivals. A new well received solo CD for NIMBUS was released in 2015. The first volume of the Hoffmeister solo-quartets and Rossini sonatas for BIS-records was released in 2017. The second volume will arrive later in 2018. A new recording with contemporary violin/bass Duos for AUDITE is on the market since February 2018.  His repertoire includes a great deal of contemporary music and he has worked closely with composers such as Kurtág, Stockhausen, Saariaho, Vasks and Gubaidulina.

​For this recording, Finnish violinist Elina Vähälä and Dutch double bass player Niek de Groot have chosen and performed seven pieces, composed by six Europeans and one Korean. When a violin and a double bass come together, two sound spheres collide: particularly in recent times, many renowned composers have been inspired to create highly original realisations of such encounters.

Novus Quartet 3 # 1 Webern - Beethoven - Yun

From the first note showed the Novus String Quartet mature musicality and sensitivity both in the formation of the ensemble sound." (Süddeutsche Zeitung)

"This ensemble's playing is incredibly solid and well-balanced. All four musicians perform at the same level and their music-making is enthralling." (Lukas Hagen)

It was with these words that Lukas Hagen, first violinist of the renowned Hagen Quartett, described the four musicians' artistic quality after their performance at the International Mozart Competition, held in Salzburg in February 2014, where Hagen was the Head of the Jury. The quartet went on to win First Prize at the Competition.

Established at the Korean National University of Arts in 2007, the Novus String Quartet is one of the leading chamber music ensembles in Korea.

Since the quartet’s triumph at the prestigious ARD International Chamber Music Competition in Munich in 2012, where it was awarded Second Prize, the Novus String Quartet has gained steady recognition in Europe. In February 2014, the four Koreans won First Prize at the Mozart String Quartet Competition, chaired by Lukas Hagen of the Hagen Quartett, in Salzburg.

One year after its founding, the quartet celebrated inaugural success at the International Chamber Music Competition Osaka, where the musicians were awarded Third Prize, the same prize they received in 2009 at the Chamber Music Competition in Lyon and 2012 at the International Haydn Chamber Music Competition in Vienna.

In 2010, the quartet was the first chamber music ensemble to be featured on the list of promising musicians of the year by the music magazine Auditorium. Since then, the quartet has performed concerts internationally, lauded by audiences and critics alike.

The Novus String Quartet studies under Professors Christoph Poppen and Hariolf Schlichtig at the Hochschule für Musik und Theater in Munich.

In 2013, the Novus String Quartet’s international engagements took them to the Haydn Music Festival, Salle Molière in Lyon, Chamber Music Hall in Berlin’s Philharmonie, Schwetzinger Festspiele and the Carnegie Hall in New York. The quartet’s South American tour, as part of the Credomatic International Music Festival, featured highly acclaimed concerts in such cities as El Salvador, Costa Rica and Panama.