Two great interpreters, poets and lovers of the French repertory and
chamber music join forces here: the violinist Tedi Papavrami and the
pianist Nelson Goerner. They have chosen to devote this programme to the
two violin sonatas of Gabriel Fauré and the Sonata of César Franck.
César Franck and Gabriel Faure were two of the main architects of the
renaissance in French chamber music during the final decades of the
nineteenth century. Both were members of the Societe Nationale de
Musique they helped to found in 1871, along with Camille Saint-Saens,
Romain Bussine, Henri Duparc, Jules Massenet and others. It was for this
society that Faure wrote his first masterpiece, the Sonata for Violin and Piano in A major. Impelled by patriotism, they jointly undertook a
crusade to safeguard French music, adopting the motto Ars Gallica. At
the same time, in a century largely dominated by opera, they aspired to
rehabilitate the neglected genres of symphonic and chamber music, and
song- the typical genres of German music. They succeeded spectacularly,
and the number of major works produced in France during this period is
phenominal. (Presto Classical)
Mostrando entradas con la etiqueta Tedi Papavrami. Mostrar todas las entradas
Mostrando entradas con la etiqueta Tedi Papavrami. Mostrar todas las entradas
martes, 30 de mayo de 2017
miércoles, 28 de octubre de 2015
Viktoria Mullova PROKOFIEV
Viktoria Mullova's ONYX
album is an all Prokofiev affair recorded live, with the lyrical 2nd
violin concerto joined with the solo violin sonata and the sonata for
two violins. Robert Soetens premiered the Duo Sonata in Paris in
December 1932, partnered by Samuel Dushkin, for whom Stravinsky had
recently composed a Violin Concerto. Knowing of Prokofiev's rivalry with
Stravinsky, Soetens persuaded Prokofiev to write him a concerto.
Composed in 1935 just before Prokofiev resettled in Soviet Russia, the
Second Violin Concerto includes in its central movement one of his most
celebrated long-arching melodies. The Solo Sonata was an official
commission towards the end of Prokofiev's life. Originally intended for
an ensemble of talented child
violinists, Prokofiev so wrote the work that it could equally be played
by a soloist. Paavo Jarvi and Viktoria Mullova have been close musical
collaborators for many years. (Arkiv Music)
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