Alexej Gorlatch / Rundfunk- Sinfonieorchester Berlin / Alondra de la Parra STRAVINSKY Works for Piano and Orchestra

The piano seem so central to the sound-world of much of Stravinsky's music that is seems surprising that he didn't write more music for the solo instrument. This disc, on Sony Classical, from the young German-based Ukrainian pianist Alexej Gorlatch and the Rundfunk-Sinfonieorchester Berlin conducted by the Mexican conductor Alondra de la Parra, brings together the Concerto for piano and wind instruments, the Capriccio for piano and orchestra and the early piano sonata. 

 We open with the Concerto for piano and wind instruments (in fact the ensemble includes double basses and timpani too), written in 1924 at the height of Stravinsky's neo-classical period. This is Stravinsky at his most hieratic, in Symphony of Psalms vein, and using the piano to maximum percussive effect.
After a slow, strikingly monolithic wind introduction, we are struck by the attack, brilliance and intensity of the piano entry. This is a full focus, high energy performance with Gorlatch and the orchestra giving maximum brilliance to Stravinsky's music. Attack and articulation are coordinated between soloist and orchestra to a superb degree, and the music is vividly involving too. The second movement, Largo, is full of contrasts, quiet intensity against very hard edged moments, and whilst percussive attack is prominent in the piano there is lyricism too. The last movement, Allegro, starts out rather fugal with a love sense of tone colours. Never a grim piece, this performance explodes in youthful energy and a great feeling of percussive joy.

Dating from a few years later (1928), Stravinsky also wrote the Capriccio for himself to play. Still neo-classical, there is a greater florid feel to the writing for piano. The opening movement, Presto, i perky and full of contrasts but with the percussive edge less to the fore in the piano. Here there is lyricism combined with rhythmic attack, but still a sense of that discipline which comes with Stravinsky's music of the period. In the second movement, Andante rapsodico, you notice the contrast between the disciplined rhapsodies of the piano and the lyrical lines of the instruments, with the piano writing quite florid. Finally, the Allegro capriccioso ma tempo giusto, is nicely perky and up-tempo with some brilliant jazzy moments.

There is a lovely unity to the playing of soloist and orchestra, this really is a performance which makes you sit up and take note. Throughout the orchestra under Alondra de la Parra is on brilliant form, matching the young soloist.
The final work on the disc is Stravinsky's early piano sonata, a work which he started when he was just 21 (in 1903) and finished a year later having got rather bogged down and needing to approach Rimsky Korsakov which was the beginning of their relationship. When Stravinsky finished the piece he gave it to Nicolas Richter who premiered it and kept the manuscript, which ended up in the State Public Library in St Petersburg on Richter's death, thus preserving a work which Stravinsky would have far preferred to disappear.
Gorlatch gives a fine performance, but you would be hard pressed to guess that this large scale (28 minutes) romantic work was by Stravinsky, Full of chromatic harmonies which reminded me of his contemporaries such as Rachmaninov, the piece is conventional but remarkable for one barely into his 20's. (Robert Hugill)

Alexej Gorlatch / Alondra de la Parra / Rundfunk-Sinfonieorchester Berlin STRAVINSKY Works For Piano and Orchestra

Alexej Gorlatch was born in 1988 in Kiev and has been living in Germany since 1991. He began his piano studies at the age of seven with Eduard-Georg Georgiew in Passau, before becoming a junior student of Martin Hughes at the Berlin University of Arts at the age of twelve, continuing his music studies two years later with Karl-Heinz Kämmerling at the University of Music and Drama Hanover and subsequently with Bernd Goetzke.

His victory at the International ARD Music Competition, where Alexej Gorlatch additionally received the audience prize and several further special awards, was preceded by a remarkable musical career – within just six years, he received first prize at nine renowned international piano competitions, including those in Hamamatsu, Japan (2006), the German Music Competition (2008), the International Anton G. Rubinstein Competition (2009), and in Dublin (2009), as well as the Silver Medal in Leeds.de

Conductor Alondra de la Parra has gained widespread attention for her spellbinding and vibrant performances, making her one of the most compelling conductors of her generation. She holds the distinction of being the first Mexican woman to conduct in New York City, and is an official Cultural Ambassador of Mexico. She has been heralded by Plácido Domingo as “an extraordinary conductor” and the French newspaper Le Monde states that “there is no doubt that, with Alondra de la Parra classical music has arrived into the XXI Century”.

Frequently in demand as guest conductor, Alondra de la Parra has led some of the most prestigious orchestras of France, Germany, USA, Japan, Brazil, Sweden and Russia including the Orchestre de Paris, RSB Berlin Radio Symphony Orchestra and Milan’s Cameristi della Scala. She also undertook a tour across China with the Orchestre National du Capitole de Tolouse.

In Latin America, De la Parra works frequently Sao Paulo Symphony Orchestra and with the Simón Bolivar Youth Orchestra, from whom she received their highest award. She has also conducted Brazilian Symphony Orchestra, the Buenos Aires Philharmonic in Argentina, Montevideo’s Philharmonic in Uruguay and in Mexico, the orchestras of Aguascalientes, Jalisco, Sinaloa, Xalapa, Puebla, San Luis Potosí, Estado de México and the National Symphony.