Notturna / Christopher Palameta FORGOTTEN CHAMBER WORKS WITH OBOE FROM THE COURT OF PRUSSIA

The ensemble Notturna under the direction of oboist Christopher Palameta has unearthed repertoire in several archives worthy of rediscovery. On this album they present as world premiere recording Berlin Chamber Music at the time of Friedrich dem Großen (Frederick the Great). The commonality of the selected sonatas by respected composers such as Johann Gottlieb Janitsch (1708-1763), Christian Gottfried Krause (1717-1770) and Johann Gottlieb Graun (1703-1771) is the solo instrument oboe. In the shadow of the flute, the favorite instrument of Friedrich dem Großen (Frederick the Great), the role of the oboe at the Prussian Court was underestimated for a long time. However there is still a variety of sonatas and concerts for this instrument which survived from this time. The Quintet in A minor by Graun, who was concertmaster of the Royal Court Orchestra since 1741, is characterized by frequent and unexpected changes of affects, dynamics and harmonies in order to achieve expressive and sentimental effects. In contrast to this work are the Trio Sonata in A minor, the Quadro Sonata in B-flat major and the Trio Sonata in G major by Janitsch, who became a violinist in the Court Orchestra in 1736. His works are much more influenced by a gallant style with varied melodies. The Trio Sonata in D minor by Krause is particularly fascinating in its original third movement, in which the oboe enters into a dialogue with the violin. A recording of beautiful Baroque music in unique interpretations.

Dorothee Oberlinger / Ensemble 1700 ROCOCO - MUSIQUE À SANSSOUCI

Dorothee Oberlinger is one of the most amazing discoveries of recent years, an expressive virtuoso who has received numerous awards. Today she is seen as one of the best recorder-players in the world. Her concerts have been received with enthusiasm by critics and audiences alike, earning her unanimous acclaim. Her CDs are regularly fêted as the best new issues on the market.
Dorothee Oberlinger has given solo recitals at festivals all over Europe, in America and Japan at some of the most prestigious venues such as the Ludwigsburger Schlossfestspiele, the Musikfestspiele Potsdam, the Settimane Musicale Stresa, the Nederlandse Oude-Musik-Network, the Festival de Musica Antigua Sajazarra, the Warsaw Beethoven Festival, the Europäische Musikfestwoche Passau, the Rheingau-Musikfestival, the Tage der Alten Musik Regensburg and the MDR-Musiksommer. Other venues in which she has played include the Wigmore Hall in London, the National Philharmonie in Warsaw, the Marianischer Saal in Lucerne, the Rosée Theater in Fuji and the Philharmonie in Cologne.
She has been the guest soloist with leading international Baroque ensembles such as London Baroque and Musica Antiqua Köln directed by Reinhard Goebel, and she also plays regularly with modern symphony orchestras such as the WDR-Rundfunk-Sinfonieorchester and the Detmolder Kammerorchester.
Dorothee Oberlinger collaborates with the top Italian ensemble "Sonatori de la Gioiosa Marca", with whom she has given many concerts throughout Europe. Their joint CD of concertos by Antonio Vivaldi has received numerous awards from the international musical press.
She directs her own "Ensemble 1700", which she formed in 2003. Together they have realized a wide variety of projects relating to the music of the 17th and 18th centuries. In 2004 Dorothee Oberlinger was appointed professor at the renowned Mozarteum academy in Salzburg.