Over the course of a decade, Bang on a Can founding composer Michael
Gordon has collaborated with the world-renowned Kronos Quartet on a
series of provocative works that have sought to stretch, bend and
otherwise reshape the boundaries of modern classical music. Clouded Yellow assembles these works for the first time, perfectly encapsulating
the breadth and complexity of this long-standing creative partnership.
For the past thirty years, Michael Gordon has produced a strikingly
diverse body of work, ranging from large-scale pieces for high-energy
ensembles to major orchestral commissions to works conceived
specifically for the recording studio. Transcending categorization, the
music represents the collision of mysterious introspection and brutal
directness. Gordon’s music merges subtle rhythmic invention with
incredible power embodying, in the words of The New Yorker’s Alex Ross,
“the fury of punk rock, the nervous brilliance of free jazz and the
intransigence of classical modernism.”
Mostrando entradas con la etiqueta Michael Gordon. Mostrar todas las entradas
Mostrando entradas con la etiqueta Michael Gordon. Mostrar todas las entradas
martes, 15 de mayo de 2018
Kronos Quartet MICHAEL GORDON Clouded Yellow
Over the course of a decade, Bang on a Can founding composer Michael
Gordon has collaborated with the world-renowned Kronos Quartet on a
series of provocative works that have sought to stretch, bend and
otherwise reshape the boundaries of modern classical music. Clouded Yellow assembles these works for the first time, perfectly encapsulating
the breadth and complexity of this long-standing creative partnership.
For the past thirty years, Michael Gordon has produced a strikingly
diverse body of work, ranging from large-scale pieces for high-energy
ensembles to major orchestral commissions to works conceived
specifically for the recording studio. Transcending categorization, the
music represents the collision of mysterious introspection and brutal
directness. Gordon’s music merges subtle rhythmic invention with
incredible power embodying, in the words of The New Yorker’s Alex Ross,
“the fury of punk rock, the nervous brilliance of free jazz and the
intransigence of classical modernism.”
domingo, 5 de noviembre de 2017
Ars Nova Copenhagen / Paul Hillier FIRST DROP
Conducted by Paul Hillier since 2003, Denmark’s Ars Nova Copenhagen has built an immovable reputation as one of the world’s most versatile and inventive vocal ensembles. First Drop is testament to that spirit; it’s a wide-ranging and ambitious project that interprets the choral work of some of the giants of contemporary classical music, including Steve Reich, Terry Riley, Louis Andriessen, Michael Gordon, David Lang and more.
“Almost all the works on this CD are first recordings,” Hillier explains, referring to one source of inspiration behind the title. “Ideally we wanted the idea of First Drop to remain ambiguous, but the diligent listener will sooner or later notice that it originates with Ralph Waldo Emerson.”
Recorded over a stretch of nearly ten years, in different locations and with different configurations of singers, the performances documented here still come across as parts of a seamless whole. From the haunting strains of Michael Gordon’s “He Saw A Skull” (composed specifically for the 12 voices of Ars Nova) to Hillier’s vocal arrangement of Steve Reich’s classic “Clapping Music,” First Drop channels a vernal energy that’s unparalleled in new vocal music.
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