Mostrando entradas con la etiqueta Jan Tomasz Adamus. Mostrar todas las entradas
Mostrando entradas con la etiqueta Jan Tomasz Adamus. Mostrar todas las entradas
martes, 20 de octubre de 2020
domingo, 6 de enero de 2019
Juan Sancho / Capella Cracoviensis / Jan Tomasz Adamus HANDEL The Seven Deadly Sins
The Sevillian tenor Juan Sancho, together with the Polish ensemble
Capella Cracoviensis, presents an exhilarating journey through the music
of Haendel in his most perverse and malicious facet, through the seven
deadly sins. This is an original way to enjoy the exploration that the
brilliant German-British composer made of the darkest human passions in
his operas and oratorios. The Spanish tenor, Juan Sancho, initially
trained as a pianist before entering the Escola Superior de Música de
Catalunya (Barcelona) to study voice in the Early Music department with
Lambert Climent, also receiving tuition from Monsterrat Figueras. Later
he studied with Raphaël Sikorski (Laboratoire de la Voix, Paris) and
finally with Raúl Giménez (Barcelona). He was awared with the special
prize for Lied /Mélodie française interpretation at the 2010
International Singing Competition “Julián Gayarre” (Spain).
jueves, 18 de enero de 2018
Capella Cracoviensis / Jan Tomasz Adamus NICOLA PORPORA Germanico in Germania
As interest in the Italian
opera serie
of
the eighteenth century has grown apace
in recent years, Handel’s operas are
now seen as increasingly mainstream,
and several works by Vivaldi and other
contemporaries have again seen the light
of day, including a few by Nicola Porpora.
However, until now,
Germanico in Germania
has,
with the exception of one or two
arias, remained firmly hidden on library
shelves scattered around Europe. During
his lifetime Porpora was as famous as a
teacher of singing as for his compositions,
so it is little wonder that his score is
a veritable feast of vocal delights ripe
for resurrection. Born in Naples on
17August 1686 and educated at the city’s
Conservatorio dei Poveri di Gesù Cristo,
Porporas first opera,
Agrippina
, was given
at the Neapolitan court in 1708. During
the period 1715 to 1721, while
maestro di
cappella
at the Naples Conservatorio di
San Onofrio he also gained a reputation
as a singing teacher: his most famous
pupil was the castrato Farinelli.
“Mr Cencic is blessed with the finest countertenor voice of our day.” That was the view of the German magazine Opernwelt
back in 2008, and ever since Cencic has strengthened his iconic status
among present-day countertenors, with a combination of beautiful, pure
tone and passionate delivery.
Born in 1976 in Zagreb, Cencic first came to public attention aged six singing the Queen of the Night aria from the Magic Flute. He went on to sing with the Vienna Boys Choir, touring widely and launching his solo career in 1992 as a male soprano, followed in 2001 as a countertenor.
In this world premiere recording, Max Emanuel Cencic unearths Porpora’s opera Germanico in Germania.
Born in 1976 in Zagreb, Cencic first came to public attention aged six singing the Queen of the Night aria from the Magic Flute. He went on to sing with the Vienna Boys Choir, touring widely and launching his solo career in 1992 as a male soprano, followed in 2001 as a countertenor.
In this world premiere recording, Max Emanuel Cencic unearths Porpora’s opera Germanico in Germania.
Cencic is supported by a world-class cast, including star soprano
Julia Lezhneva, and Capella Cracoviensis under the baton of Jan Tomasz
Adamus.
Performed on period instruments from a brand new edition, this is a highly authoritative recording.
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