The title chosen for this document, Alto Mystic, reflects what the
violist Ana María Alonso and the Ibs-Classical label wanted to suggest
as the universe enclosed in an instrument full of secrets such as the
viola, an instrument that has transcended from the orchestral ripieno
scene to a solo virtuosity in a relatively short time. The accurate
reference to the etymological origin of the term (from the Greek
mystikós whose first meaning is about something arcane and mysterious)
not only reveals the intention of discovering the timbre and expressive
effects of the viola but to inducing composers to penetrate into their
mysterious world through the works composed for this occasion. In this
sense, interpreter and composers have achieved their purpose, without a
doubt; Ana María Alonso discovering the subtleties of the viola´s timbre
through a technical and expressive refinement of the highest
instrumental conception, and the ten composers, each from their
creativity, constructing an enriching musical poetic discourse, not only
for the violistic repertoire, but for the music itself.
Mostrando entradas con la etiqueta Gabriel Erkoreka. Mostrar todas las entradas
Mostrando entradas con la etiqueta Gabriel Erkoreka. Mostrar todas las entradas
lunes, 21 de enero de 2019
Ana María Alonso ALTO MYSTIC
The title chosen for this document, Alto Mystic, reflects what the
violist Ana María Alonso and the Ibs-Classical label wanted to suggest
as the universe enclosed in an instrument full of secrets such as the
viola, an instrument that has transcended from the orchestral ripieno
scene to a solo virtuosity in a relatively short time. The accurate
reference to the etymological origin of the term (from the Greek
mystikós whose first meaning is about something arcane and mysterious)
not only reveals the intention of discovering the timbre and expressive
effects of the viola but to inducing composers to penetrate into their
mysterious world through the works composed for this occasion. In this
sense, interpreter and composers have achieved their purpose, without a
doubt; Ana María Alonso discovering the subtleties of the viola´s timbre
through a technical and expressive refinement of the highest
instrumental conception, and the ten composers, each from their
creativity, constructing an enriching musical poetic discourse, not only
for the violistic repertoire, but for the music itself.martes, 9 de octubre de 2018
Juri Vallentin BRIDGES
What a development the oboe has endured since it was largely responsible for
creating pastoral moods or laments! At Genuin Classics, Juri Vallentin captures
the entire timbre of a modern instrument on this recording. The prizewinner
of the 2017 German Music Competition and other major competitions demonstrates
the oboe's rich tone in interaction with wonderful chamber music partners. A
real bridge over the centuries: sparkling baroque music of Pez and Couperin
meets the exciting sounds of Hosokawa and Erkoreka. An exquisite programme and
a world-class performance!
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