During his last years, Frank Zappa concentrated on his "serious music,"
trying to impose himself as a composer and relegating the rock
personality to the closet. His last two completed projects topped
everything he had done before in this particular field. The Yellow Shark, an album of orchestral music, was released only a few weeks
before he succumbed to cancer (the computer music/sound collage album
Civilization Phaze III was released 14 months later). This CD, named for
a plexiglas fish given to Zappa in 1988, culls live recordings from the
Ensemble Modern's 1992 program of the composer's music. The range of
pieces goes from string quartets ("None of the Above") to ensemble
works, from very challenging contemporary classical to old Zappa
favorites. The latter category includes a medley of "Dog Breath
Variations" and "Uncle Meat," "Pound for a Brown," "Be-Bop Tango," and
the Synclavier compositions "The Girl in the Magnesium Dress" and
"G-Spot Tornado" transcribed for orchestra. Being more familiar, these
bring a lighter touch, but the real interest of the CD resides in the
premiere recordings. "Outrage at Valdez," the piano duet "Ruth Is
Sleeping," and "Food Gathering in Post-Industrial America, 1992" are all
the gripping works of a mature composer, strongly influenced by Varèse
and Stravinsky but overwhelmed by them. But the crowning achievement is
"Welcome to the United States," a more freeform piece based on the U.S.
visa form. Zappa shined when ridiculing stupidity. The average fan of
the man's rock music will most probably feel lost in The Yellow Shark,
but for those with interests in his serious music it is an essential
item, more so than the London Symphony Orchestra and Orchestral
Favorites albums. (François Couture)
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