This album of Sir Harrison Birtwistle’s chamber music and songs, mostly 
of recent vintage, is issued as the innovative Great British composer 
approaches his 80th birthday. It features an exceptional 
cast. Heard together and separately is the trio of Austrian pianist Till
 Fellner, Georgian violinist Lisa Batiashvili and English cellist Adrian
 Brendel. They are joined by London-born singers Amy Freston and 
Roderick Williams. The compositions include “Bogenstrich” written in 
2006 as a short piece in tribute to Alfred Brendel and first played by 
his son Adrian together with Fellner. It was subsequently expanded into a
 cycle with the addition of settings of Rilke for baritone, cello and 
piano. The “Trio” is the newest piece, premiered in 2011, a 16-minute 
single movement work of elaborate patterning, gestures and responses, 
for piano, violin and cello. Settings of the writings of US Objectivist 
poet Lorine Niedecker (1903-1970), scored for soprano and cello in 1998 
and 2000, begin and close the album. As Bayan Northcott writes in the 
booklet, “These concentrated songs demand the utmost of their performers
 in precision, expression and timing. As in Webern’s settings, the few 
words and notes on the page can seem to imply whole worlds of thought 
and feeling”. This highly-concentrated chamber-scale expressivity is 
felt throughout the entire album, recorded at Munich’s famed 
Herkulessaal, and produced by Manfred Eicher.
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Mucho más duro de lo que me esperaba... y me esperaba no poco. Aun así la sensación es que, dedicándole tiempo y paciencia, es posible "hacerse" con un álbum del que uno tardará en cansarse.
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