lunes, 16 de febrero de 2015


 Five years after their widely acclaimed recording of Béla Bartók’s fourth string quartet the Zehetmair quartet (in new line-up) play the Hungarian’s masterly fifth quartet, written in 1934, coupled with Paul Hindemith’s fourth from 1921 which is marked by a neo-classicist return to elaborate polyphony and baroque forms: landmarks of 20th century chamber music in interpretations of analytical clarity and emotional intensity.

The Zehetmair Quartet was founded in 1994. After its first tour in spring 1998 it received invitations to return from every concert organizer. Its annual European tours have been augmented by concerts in the United States (2001 and 2003) and Japan (2002). Highlights of 2004 were guest appearances at the Edinburgh Festival, the Helsinki Festival, and the Schleswig-Holstein Festival and in spring 2006 a highly successful tour took it to Vienna, Berlin, Cologne, Zurich, Madrid, Lisbon, Manchester, and other capitals. The four musicians also made guest appearances in Japan in February 2007.
In 2000 the Quartet made its ECM début with Bartók’s Fourth and Karl Amadeus Hartmann’s First, an album that won the quarterly German Record Critics’ Prize. Their 2004 release of Schumann quartets received Gramophone’s Record of the Year Award, the Diapason d’Or, the Edison Classical Music Award (Netherlands), and two Belgian awards: the Caecilia Prize and the Klara Prize for the year’s best international release.
Second violinist Kuba Jakowicz and cellist Ursula Smith joined the quartet in 2005. (ECM Records)

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