
In
his “meditation on the nature of language as sound,” Jonathan Harvey
alludes directly to the “inventor” of the Sprechgesang, Arnold
Schönberg. Beat Furrer provides the protagonist of Arthur Schnitzler’s
"Fräulein Else" with several different “language spaces” – like an
encephalogram, he records the oscillations of an interior monologue.
Georges Aperghis teaches a clarinet to “babble,” and Unsuk Chin gives an
answer to a question from Georges Perec: What might it sound like to
throw rotten tomatoes at singers of the species "cantatrix sopranica"?
In dreamlike fashion, Chin causes multiple musics of various styles and
periods to swirl through one another in a furious piece.
The
live recordings document highlights from the concert series "musikFabrik im WDR", with noted soloists such as David Cordier, Salome Kammer and
Anu and Piia Komsi, and the conductors Stefan Asbury, Sian Edwards, Beat
Furrer and Peter Rundel. Two members of Ensemble musikFabrik, Carl
Rosman and Peter Veale, provide evidence of the ensemble’s soloistic
qualities. (wergo.de)
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