This disc, recorded in 2014, completes the whole
set of the three Brahms violin sonatas played by Faust and Melnikov. The
first sonata, previously issued, is coupled with the Brahms trio and
his Op 116 Fantasias for piano. This inevitably makes for difficulties
for collectors as the main alternatives for the violin sonatas couple
all three on one disc.
This disc also comes with unusual
couplings which are the Schumann Three Romances which were published for
either violin and piano or oboe and piano. These are very attractive
pieces of vintage Schumann inspiration in a particularly gentle and
song-like mode. The song-like nature of the music particularly suits the
oboe, a wind instrument which phrases like a singer. There is a famous
and superb version of these three pieces for oboe played by Holliger
and Brendel as part of a Schumann disc of supreme quality. However,
Faust and Melnikov make a strong case for the violin version with all
the appropriate empathetic phrasing and tonal response.
At this
point it is worthwhile to mention that the Faust disc features
Melnikov's own Bosendorfer piano from 1875 and Faust’s Stradivarius
violin which makes this disc qualify for ‘period’ status. The piano tone
and dynamics are far more in line with modern pianos than might be
expected and is far fuller than those used for period performances of
music of an earlier date. No hint of woodenness’ or shallow tonal
response for example and far greater dynamic range by this time. This
disc will not cause concern for those interested in a modern instrument
sound and who will be more likely to be mildly intrigued by the sound
presented here.
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