András Schiff / Dénes Várjon / Budapest Festival Orchestra / Heinz Holliger SÁNDOR VERESS Hommage à Paul Klee

The Hommage à Paul Klee, the first of the three
works on this disc, is nowhere near as grim as one might expect
from someone escaping tyranny. It is a seven-movement work combining
transcendent soundscapes with a frisky jazziness, presumably
reflecting in music seven of Klee’s paintings. It has been adapted
for ballet no doubt due to the both celestial and playful moods
which Veress manages to invoke through his limpid musical lines.
That said, its fifth movement, marked Allegretto (Stone
Collection), is an exciting and rhythmic tour de force,
with pizzicato strings adding infectious momentum to the rambunctious
pianos. Similarly, the near-mystical reverie in the next-to-last
movement – an Andante (Green in Green) – is followed
by a tumultuous Vivo (Little Blue Devil) that charges
in a headlong rush to close the Hommage.
Although neither in sonata form nor theme-and-variations structure,
this Hommage à Paul Klee is a (two-)
piano concerto in all but name. It convincingly blends tuneful
folk forms within a near-austere aesthetic. Weightless although
far from light, its ethereal transparency beautifully suits
the simple yet evocative paintings that the Hommage seeks to
mirror. Its shape as a suite of movements bears comparison
in a number of intriguing ways to Frank Martin’s 1974 Polyptyque
for violin and two small string orchestras. Claudio Veress, who runs
a website for his father’s
music, reports that the composer was a great admirer of Martin’s
music. This work suggests that the sentiment may have been reciprocated.
Comentarios
Publicar un comentario