When talent is passed on from generation to generation, it often happens in an unpresuming way. Such is the case with Daniel Röhn
– one of the most remarkable and talented violinists of the present
day. What is so fascinating about him and his playing is his natural
approach to great traditions and his clear perspective on them. Over a
number of decades, both his grandfather and father were renowned
concertmasters on the universally unique German orchestral scene; now
the new generation has joined those ranks as a soloist and chamber
musician, who will no doubt contribute significantly to the world of
violin. His first two CD releases featuring Mendelssohn’s Violin Concerto
and virtuoso 19th-century works for violin and piano earned him several
international awards. When describing his playing, it is hardly
sufficient to simply mention his seemingly effortless, brilliant
virtuosity. Daniel Röhn’s heart-meltingly warm tone and his almost
narrative gestures are what endear audiences to him – he has a way of
expressing himself through music that we might almost have thought had
been lost. (Berlin Classics)When talent is passed on from generation to generation, it often happens in an unpresuming way. Such is the case with Daniel Röhn
– one of the most remarkable and talented violinists of the present
day. What is so fascinating about him and his playing is his natural
approach to great traditions and his clear perspective on them. Over a
number of decades, both his grandfather and father were renowned
concertmasters on the universally unique German orchestral scene; now
the new generation has joined those ranks as a soloist and chamber
musician, who will no doubt contribute significantly to the world of
violin. His first two CD releases featuring Mendelssohn’s Violin Concerto
and virtuoso 19th-century works for violin and piano earned him several
international awards. When describing his playing, it is hardly
sufficient to simply mention his seemingly effortless, brilliant
virtuosity. Daniel Röhn’s heart-meltingly warm tone and his almost
narrative gestures are what endear audiences to him – he has a way of
expressing himself through music that we might almost have thought had
been lost. (Berlin Classics)
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