Belgian harpist Anneleen Lenaerts is one of the leading soloists of her
instrument. In 2010 she was appointed Principal Harpist of the Vienna
Philharmonic. She won no fewer than twenty-three prizes, amongst them
the “Grand Prix International Lily Laskine”. Hailed by Télérama,
France, as “the new Prince of the clarinet”, Dionysis Grammenos was the
first ever wind player to win the Grand Prix d’Eurovision from the
European Broadcasting Union.
Anneleen Lenaerts released a first album on Warner Classics in 2014,
with concertos by Jongen, Glière and Rodrigo. For this second album,
Anneleen and Dionysis selected some of the most beautiful Romantic
chamber music pages, amongst them Schumanns Fantasiestücke Op. 73 and Romanzen Op. 94, and Schuberts Arpeggione Sonata D 821.
Western art music has, in one way or another, always been recreative. It
is about the spark between the musician(s) and the composer, be this
through brilliant extemporisation on an early music Urtext, or a
beautifully expressive performance of a Romantic work. Rarer
instrumental combinations have always gravitated notably towards
transcriptions. Sensitively-chosen transcriptions shed new light on
their originals, because of the sounds, colours and identities they
bring to the text. In the case of the harp and the clarinet, these
colours are warmly unified, profoundly evocative of the works’ epoch,
and of the emotional intensity of the music itself. (Warner Classics)
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