After the double album of the violin and harpsichord sonatas with
Kristian Bezuidenhout, a bestseller in 2018, here is the next instalment
in the Bach recording adventure that began nine years ago with a set of
the sonatas and partitas now regarded as a benchmark. Isabelle Faust
and Bernhard Forck and his partners at the Akademie für Alte Musik
Berlin have explored patiently a multitude of other works by Bach:
harpsichord concertos, trio sonatas for organ, instrumental movements
from sacred cantatas... All are revealed here as direct or indirect
relatives of the three monumental concertos BWV 1041-43.
This fascinating achievement is a timely reminder that the master of The Well-Tempered Clavier was also a virtuoso violinist.
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