
Frayed opens with sighing chords, breathing through the quartet like a series of inhales. The passage is performed with mutes on, lending it a covered sound, almost like a delicate harmonica. The accumulated energy eventually explodes into vigorous music before material from the opening is re-integrated, toggling back and forth between contrasting energies. As the work evolves, “frayed” edges of each expressive world begin to show—overpressure on the culmination of a repeated chord, a hybrid gesture of pizzicato and glissando articulated with the back of the frog of the bow.
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