A journey through seventeenth-century
Rome, the rough and magnificent city where Caravaggio and Stradella
lived. Strict counterpoint and learned polyphony in the lute and
keyboard pieces by Kapsberger, Pasquini and Frescobaldi mingle with
light dances and popular songs for guitar. Improvisation is the feature
linking both sound-worlds: the high culture of church chapels and noble
palaces, and the lore of streets and taverns. A careful study of the
original sources guided our choices as to instruments and
interpretation. According to historically informed practice, the
celebrated Antidotum Tarantulæ and further early specimens of
tarantella, as written down by the Jesuit scholar Athanasius Kircher,
are played on bagpipes, drums and guitars.
While on their first album ‘Alfabeto
Falso’ I Bassifondi refreshed the image of the Baroque guitar and its
harmonic extravaganzas, with ‘Roma 600’ the ensemble brings the music of
seventeenth century Rome back to life with inspired and imaginative
improvisation. Soprano Emőke Barath and violinist Enrico Onofri are the
distinguished guest artists who join I Bassifondi in this new adventure.
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