Lars Vogt continues his series of concerto recordings with the Royal
Northern Sinfonia with this new recording of Johannes Brahms’
(1833–1897) First Piano Concerto together with Four Ballades (Op. 10)
for solo piano. As in previous albums, Lars Vogt conducts from the
keyboard. The evolution of Brahms’ 1st Piano Concerto took several
steps. Originally conceived to become a Sonata for Two Pianos through
orchestration it was developed into a four-movement Symphony until
reaching into its final form of a Piano Concerto in three movements.
During the process, which lasted from 1854 to 1856, some movements were
also discarded and replaced by new material. This music is packed with
much drama. No wonder since these years were particularly tumultuous in
Brahms’ personal life: it was during this period when his great mentor
Robert Schumann was sent into an asylum and ultimately died. It was also
time when Brahms formed a close, lifelong friendship to Clara Schumann.
Some of these feelings might well be echoed in the peaceful 2nd
movement, Adagio. Brahms’ Four Ballades, Op. 10 are works written in
1854 by a young composer barely in his 20s, yet these pieces are
technically mature and profound in such a manner that they could even be
compared to his final piano opuses. Lars Vogt was appointed the first
ever “Pianist in Residence” by the Berlin Philharmonic in 2003/04 and
enjoys a high profile as a soloist and chamber musician. His debut solo
recording on Ondine with Bach’s Goldberg Variations was
released in August 2015 and has been a major critical success. Lars Vogt
started his tenure as Music Director of the Royal Northern Sinfonia in
September 2015. Lars Vogt was nominated for Gramophone’s Artist of the
Year award in 2017. His recordings of Beethoven’s Piano Concertos Nos. 2
& 4 together with the Royal Northern Sinfonia and an
album of Dvorak’s Piano Trios received Gramophone’s Editor’s
Choice in May 2018 and in December 2018. His most recent album on Ondine
featuring four Mozart’s Piano Sonatas (ODE13182) was also chosen
Gramophone’s Editor’s Choice in July 2019.
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