
Trevor Pinnock proves here that he deserves the high reputation he enjoys. His accompaniment is always sensible and sensitive, providing a solid ground for Podger's imaginative castle-building. Jonathan Manson has the almost impossible task of adding to this duo. He not only survives but actually contributes to the final result, with some very refined and unobtrusive gamba-playing. This is chamber music at is best. The dynamic contrasts are surprisingly varied, and these performances are the greatest advocates not only for period instruments but also for a whole trend in performance, which calls for poignant leanings on harmonically important notes, freedom within a chosen tempo, carefully suspenseful cadences, more frequent rhythmic inflections, and ornamentation that sounds improvised. All of this is done with good taste and wisdom, and the result is that the music sounds moving where it should, energetic where it demands it, without the slightest hint of mustiness or restraint. If you are only going to buy one recording this year, this might be the place to spend your money. (Laura Ronai, FANFARE 5/2001)
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