With performances as intellectual as they are musical, Daniel Müller-Schott and Angela Hewitt unite to produce a very worthwhile rendition of the Bach Gamba Sonatas. Hewitt, already an esteemed interpreter of Bach who has performed or recorded the complete works for solo keyboard, branches out here in a collaborative effort. All of her skills as an interpreter of Bach's solo works are indispensable here as the Gamba Sonatas are truly a collaboration of equals. Her touch is light and graceful without seeming timid or weak. The soloistic nature of her right hand brilliantly matches both the sound and temperament of Müller-Schott, and her accompanimental left hand is steady and elegant. Although Müller-Schott's release of the six unaccompanied Bach suites is a welcome contribution to the field, he is not known as much as a Bach interpreter as his colleague. Still, through self-proclaimed study and investigation, he presents a very satisfying blend of a Baroque sound and right-arm articulation on a modern instrument. In many ways, his playing is reminiscent of Anner Bylsma, but with a more focused core to his sound. In addition to the three gamba sonatas of the senior Bach, this album also includes the much more virtuosic and showy D major Sonata of C.P.E. Bach. Coupled with the wonderful playing, listeners are also treated to an excellent set of liner notes making this album a very wise choice. (Mike D. Brownell)
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