Anne Sofie von Otter / Sandrine Piau / Cappella Mediterranea / Leonardo García Alarcón SOGNO BAROCCO
Mezzo-soprano Anne Sofie von Otter
is an artist who continues to amaze with the undiminished luster and
beauty of her voice, the depth and daring of her interpretation, and her
commitment to exploring unfamiliar repertoire. Sogno Barocco is a recital of Italian songs, scenas, and operatic solos and duets
drawn from the early to middle Baroque era. It's a mix of familiar
pieces like Monteverdi's
solo madrigal Si dolce è'l tormento, and "Pur ti miro" from
L'incoronazione di Poppea and some real rarities (not to say oddities)
such as Luigi Rossi's eccentric, starkly dramatic Lamento della regina di suezia, and Francesco Provenzale's even stranger, highly entertaining parody of it, Squarciato appena havea. Von Otter
brings a lifetime of experience and probing intelligence to this
intensely expressive repertoire, yet her voice is youthfully fresh and
radiant, making for performances of unusual depth and vocal loveliness.
Her dramatic sensibility in these pieces, many of which are laments, is
focused and subtle (except in the over-the-top comedy of the Provenzale, in which she cuts loose with abandon). Soprano Sandrine Piau
joins her in three duets and their voices blend beautifully, especially
in sensuality of "Pur ti miro" and the intimate urgency of "Signor,
hoggi rinasco," also from Poppea.
Leonardo García Alarcón
demonstrates exceptional insight into the music of the early and middle
Baroque and further cements his reputation as one of the brightest
stars in this repertoire to emerge in the second decade of the 21st
century. He and Cappella Mediterranea
opt for a spare, lean approach to the realization of the accompaniment,
and while it is not the only possible interpretation, it works
wonderfully well. It is understated but always inventive, and the
ensemble is varied and colorful. Naïve's sound is characteristically
immaculate, detailed, and realistic, with plenty of warmth. Highly
recommended for fans of vocal music of the Baroque. (Stephen Eddins)
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