
Nina Kotova studied at the Moscow Conservatory and the Musikhochschule in Cologne, giving her
first performance as a soloist with orchestra at the age 11 and graduating summa cum laude. She
made her Western debut at the Wigmore Hall, performed at the Barbican Centre in London in 1996
and made her Carnegie Hall debut in 1999, after which she released her chart
-topping debut album
for Philips Classics.
Ms. Kotova has performed in recital and as a soloist with major orchestras across the globe touring
the capitals of Europe, Asia and the Americas. Ms. Kotova has performed at the Concertgebouw in
Amsterdam and at the Berlin Philharmonic
. She has collaborated with leading artists and conductors
such as Vladimir Jurowski, Jean Yves Thibaudet, Antonio Pappano, John Malkovich, Helene
Grimaud, Jeremy Irons, Joshua Bell, Lang Lang, Sarah Chang, Sting and many more. She has had
the distinction of performing live in broadcast from Red Square in Moscow, for the Imperial family
of Japan and at Buckingham Palace in a special concert for Prince Charles.
In 2011 Ms. Kotova was presented an award for her outstanding cultural contribution to Tuscany
from the Tuscan
-American Association as a co-founder of the Tuscan Sun Festival . Nina Kotova
has also taught as an Artist in Residence at the University of Texas in Austin, Texas.
In addition to her debut album for Philips Classics, Nina Kotova has recorded the Bloch “Shelomo”
and her own Cello Concerto, the Dvorak Cello Concerto with the Philharmonia Orchestra for Sony
Classics, and on the Deutsche Grammophon compilation “Masters of the Bow” paying homage to
the greatest cellists of the last 50 years. She has most recently released her recording of the Bach Six
Cello Suites for Warner Classics.
A composer herself and a champion of contemporary music, Ms. Kotova has commissioned and
premiered numerous works from leading composers. Her Cello Concerto was premiered in San
Francisco to rave reviews. The San Francisco Chronicle said: “Like Rihm in 1974, so Kotova in
2000 stands in defiance of last century’s modernism and the new simplicity of so much recent music.
Her Cello Concerto is a complex, gripping affair.”
Many thanks and regards from The Netherlands.
ResponderEliminarVeel dank en groeten uit Nederland.
The 4th set of Mendelssohn's Symphony No.1 is missing
ResponderEliminarThanks for the wonderful music!! But where is the last movement of the Symphony? Regards from Argentina
ResponderEliminar