 Since the 1992 release of Forgotten Peoples, the 
first major survey of Veljo Tormis to be released outside of Russia, ECM
 has paved an international appreciation of the Estonian composer, whose
 choral output exceeds 500 pieces. More than number, it is the melodic 
and textual content of those pieces that asks of the listener attention 
to source, meaning, and atmosphere. Although so much of Tormis’s work is
 drawn from Baltic folk traditions, his project is more one of 
expression than of preservation. He paints a distinct amalgam of texts 
and motifs, so that what we are left with is a sonic trajectory that 
moves ever forward. There is no group more qualified to follow that 
trajectory than the Estonian Philharmonic Chamber Choir. Under the 
direction of Tõnu Kaljuste, these intensely talented singers breathe the
 music on Litany To Thunder as if it were their own. (ECM Reviews)
Since the 1992 release of Forgotten Peoples, the 
first major survey of Veljo Tormis to be released outside of Russia, ECM
 has paved an international appreciation of the Estonian composer, whose
 choral output exceeds 500 pieces. More than number, it is the melodic 
and textual content of those pieces that asks of the listener attention 
to source, meaning, and atmosphere. Although so much of Tormis’s work is
 drawn from Baltic folk traditions, his project is more one of 
expression than of preservation. He paints a distinct amalgam of texts 
and motifs, so that what we are left with is a sonic trajectory that 
moves ever forward. There is no group more qualified to follow that 
trajectory than the Estonian Philharmonic Chamber Choir. Under the 
direction of Tõnu Kaljuste, these intensely talented singers breathe the
 music on Litany To Thunder as if it were their own. (ECM Reviews)lunes, 9 de mayo de 2016
Estonian Philharmonic Chamber Choir / Tõnu Kaljuste VELJO TORMIS Litany To Thunder
 Since the 1992 release of Forgotten Peoples, the 
first major survey of Veljo Tormis to be released outside of Russia, ECM
 has paved an international appreciation of the Estonian composer, whose
 choral output exceeds 500 pieces. More than number, it is the melodic 
and textual content of those pieces that asks of the listener attention 
to source, meaning, and atmosphere. Although so much of Tormis’s work is
 drawn from Baltic folk traditions, his project is more one of 
expression than of preservation. He paints a distinct amalgam of texts 
and motifs, so that what we are left with is a sonic trajectory that 
moves ever forward. There is no group more qualified to follow that 
trajectory than the Estonian Philharmonic Chamber Choir. Under the 
direction of Tõnu Kaljuste, these intensely talented singers breathe the
 music on Litany To Thunder as if it were their own. (ECM Reviews)
Since the 1992 release of Forgotten Peoples, the 
first major survey of Veljo Tormis to be released outside of Russia, ECM
 has paved an international appreciation of the Estonian composer, whose
 choral output exceeds 500 pieces. More than number, it is the melodic 
and textual content of those pieces that asks of the listener attention 
to source, meaning, and atmosphere. Although so much of Tormis’s work is
 drawn from Baltic folk traditions, his project is more one of 
expression than of preservation. He paints a distinct amalgam of texts 
and motifs, so that what we are left with is a sonic trajectory that 
moves ever forward. There is no group more qualified to follow that 
trajectory than the Estonian Philharmonic Chamber Choir. Under the 
direction of Tõnu Kaljuste, these intensely talented singers breathe the
 music on Litany To Thunder as if it were their own. (ECM Reviews)
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