Florentine composer Castelnuovo-Tedesco contributed a vast array of music to the guitar literature, and this engaging release celebrates his output for two guitars, drawing focus to what isperhaps the repertoire’s most awe-inspiring collection: the cycle of 24 preludes and fugues known as Les guitares bien tempérées. The unique nature of this work lies in the composer’s great ability to use ‘raw’ materials, polishing them with an almost unparalleled skill to create smll, perfect and autonomous scenes that draw on light and extremely effective use of counterpoint; appending them is the Fuga elegiaca, a work that functions as the perfect conclusion on account of its original key of G minor, the same key in which the series opens.
The Fuga was to be Castelnuovo-Tedesco’s parting gift to the world, and the Sonatina canonica that follows takes us back to his first composition for two guitars, one which the composer himself described as a ‘modest’ little piece. Once again drawing on a hugely diverse range of material, it’s an engaging conclusion to a set for which the artists have paid especial attention to the original manuscripts, determined to achieve performances worthy of the great Italian maestro. “This they certainly attain; Pace and Poli Cappelli, whose duo has in little over a year become one of the most sought-after of its kind, marry virtuosic display with sensitive, intelligent readings” (Brilliant Classics)