
Florentine composer Castelnuovo-Tedesco
contributed a vast array of music to the guitar literature, and this
engaging release celebrates his output for two guitars, drawing focus to
what isperhaps the repertoire’s most awe-inspiring collection: the
cycle of 24 preludes and fugues known as
Les guitares bien tempérées. The
unique nature of this work lies in the composer’s great ability to use
‘raw’ materials, polishing them with an almost unparalleled skill to
create smll, perfect and autonomous scenes that draw on light and
extremely effective use of counterpoint; appending them is the Fuga
elegiaca, a work that functions as the perfect conclusion on account of
its original key of G minor, the same key in which the series opens.
The Fuga was to be Castelnuovo-Tedesco’s
parting gift to the world, and the Sonatina canonica that follows takes
us back to his first composition for two guitars, one which the
composer himself described as a ‘modest’ little piece. Once again
drawing on a hugely diverse range of material, it’s an engaging
conclusion to a set for which the artists have paid especial attention
to the original manuscripts, determined to achieve performances worthy
of the great Italian maestro. “This they certainly attain; Pace and Poli
Cappelli, whose duo has in little over a year become one of the most
sought-after of its kind, marry virtuosic display with sensitive,
intelligent readings” (Brilliant Classics)
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