
Ksenija’s Carmen,
set for international release on 3 June 2016, presents an authentic
reflection of the Riga-born artist’s charismatic personality. “Carmen
fascinates me,” she notes. “Of course I wanted to bring something new to
this music, to let Carmen speak with a different voice. The accordion
doesn’t have to breathe like a singer, so there are no restrictions to
what I can do with this music. I could be daring and passionate, just
like Carmen, and share in the multicultural musical ideas created by my
wonderful collaborators.” There’s much more Carmen to come from Ksenija
thanks to a run of performances that opens in Dortmund in April and
continues in Latvia and Chicago later in the year. “I feel that people
of all ages are ready to connect with Carmen and so I want to take this
project on the road.”
Her desire to connect with others clearly
runs deep. She has already been crowned the “Princess of Accordion” by
one critic and praised by another for her “ability to steal a musical
heart”. Accordion aficionados, meanwhile, have hailed her
interpretations of everything from original compositions by Piazzolla,
Berio and Nordheim to arrangements of pieces by Bach, Mozart and
Scarlatti. “I love performing modern works and new commissions,” she
says. “But I feel it is my mission now to introduce the accordion to a
large audience. My heart enjoys playing many different styles of music
and I want to share this experience with as many people as possible.”
On
30 March 2016, Deutsche Grammophon announced Ksenija Sidorova’s
exclusive signing to the yellow label. “We are delighted to welcome such
a remarkable talent to our roster,” commented Ute Fesquet, DG’s Vice
President, Artists & Repertoire. “Ksenija puts heart and soul into
every performance. In her hands the accordion becomes more than an
instrument – it is her voice and gives expression to her captivating
personality. She is one of those genuinely rare performers who can
transcend genre boundaries and beguile audiences with the intense beauty
and vitality of her music-making.” (Deutsche Grammophon)
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