On her new album Alice Sara Ott takes us into the world of mountain
trolls and elves, hills and fjords through a selection of Grieg’s works –
his Lyric Pieces, as well as through selected piano versions of pieces
from the Peer Gynt Suites, and one of the most famous works of piano
literature: Grieg’s piano concerto in A minor, for which she teams up
with one of the top orchestras, the Symphonieorchester des Bayerischen
Rundfunks, under star conductor Esa-Pekka Salonen at a live recording.
Alice has always been fascinated by the fantasy world Grieg has created
and the fairy tale like characters that lend the title to Grieg’s
musical miniatures: “This album represents my own very personal journey
through Grieg’s ‘wonderland’. I should like to take this opportunity to
invite you to leave behind your everyday lives for a moment and enter
Edvard Grieg’s magical and imaginary world with me. Without our really
noticing it, we are taken on a journey into a daydream, a ‘wonderland’
from which we return only reluctantly to our own everyday reality.” (Deutsche Grammophon)On her new album Alice Sara Ott takes us into the world of mountain
trolls and elves, hills and fjords through a selection of Grieg’s works –
his Lyric Pieces, as well as through selected piano versions of pieces
from the Peer Gynt Suites, and one of the most famous works of piano
literature: Grieg’s piano concerto in A minor, for which she teams up
with one of the top orchestras, the Symphonieorchester des Bayerischen
Rundfunks, under star conductor Esa-Pekka Salonen at a live recording.
Alice has always been fascinated by the fantasy world Grieg has created
and the fairy tale like characters that lend the title to Grieg’s
musical miniatures: “This album represents my own very personal journey
through Grieg’s ‘wonderland’. I should like to take this opportunity to
invite you to leave behind your everyday lives for a moment and enter
Edvard Grieg’s magical and imaginary world with me. Without our really
noticing it, we are taken on a journey into a daydream, a ‘wonderland’
from which we return only reluctantly to our own everyday reality.” (Deutsche Grammophon)
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