 It is difficult to believe that there are still works from Telemann’s
 pen that are completely new to today's musical world – indeed, the 
"Musical Geography" introduced here is a rarity hardly known even to 
experts. The 38 movements of this work are taken from Telemann’s 
orchestral suites; also in their original contexts, they bear 
geographical titles such as Les Suisses, Polonaise and Les Moscovites. 
The musicologist Adolf Hoffmann assembled them in 1959, modelled on 
Telemann’s "Singing Geography", as a series of contrasting, mostly 
dancelike movements, combining to create a new overall form. They have a
 special appeal because they lend expression to differences in national 
characters with musical means in a variety of ways.
It is difficult to believe that there are still works from Telemann’s
 pen that are completely new to today's musical world – indeed, the 
"Musical Geography" introduced here is a rarity hardly known even to 
experts. The 38 movements of this work are taken from Telemann’s 
orchestral suites; also in their original contexts, they bear 
geographical titles such as Les Suisses, Polonaise and Les Moscovites. 
The musicologist Adolf Hoffmann assembled them in 1959, modelled on 
Telemann’s "Singing Geography", as a series of contrasting, mostly 
dancelike movements, combining to create a new overall form. They have a
 special appeal because they lend expression to differences in national 
characters with musical means in a variety of ways.
Daniela Dolci 
and her ensemble Musica Fiorita interpret the "Musical Geography", as 
well as Telemann's Concerto in D minor for two violins, viola and basso 
continuo, with charm, verve and in an exceptionally colourful 
instrumentation; the contribution made by the recorder player Maurice 
Steger is especially worth listening to. This is a recording which 
expresses all the humour and the virtually limitless imagination of this
 composer. (Presto Classical)
 
 
 
 
 
Muchas gracias por el aporte. Un disco muy interesante.
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