Fabio Biondi
has chosen a selection of delightful virtuoso chamber music pieces by
Niccolò Paganini to mark his tenth album for Glossa. Together with his
long-term colleague from Europa Galante,
the plucked-string specialist Giangiacomo Pinardi (here playing an
original romantic guitar from c1825), Biondi delivers one of the most
special Glossa albums of recent times. The works, composed between 1804
and c1828, are mainly two-movement sonatas contained in the Centone di sonate collection, although the album also includes the popular Sonata concertata in A major.
Recorded
in Valencia by the engineer and producer Fabio Framba (another
well-known component of Biondi’s recording setups), the booklet of this
album includes a highly original essay signed by Pierre Élie Mamou, in
which he looks into the Devil/God dichotomy as applied to the figure of
Paganini by his own contemporaries. The graphic design for the CD takes
its inspiration from this idea, for another typically Glossa look,
listen and read experience… (GLOSSA)
thank you. -a.v.
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