
"Following the improvisations which I combined with the Bach suites and works by contemporary composers, I felt the need to work on a larger piece. This has resulted in ‘STAGIONI’. I could not nor have I wished to ignore Vivaldi and have woven several quotes from his masterpiece into my improvisations. Inspiration has also come from the medieval mystic and first recognized feminine composer, Hildegard von Bingen. Other primal sources which have fed me along the way include early polyphony, Sephardic folk music and Afro-American blues. This was not according to any plan, rather repertoire influences which are recognizable only in hindsight."
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