This live recording features the New Jersey Chamber Singers 40th
Anniversary concert celebration. The program is anchored by the Mozart
Requiem and also features festive works of Bach's Reformation Cantata,
Ein feste Burg, because 2018 also marked the 500th anniversary of the
Lutheran Reformation. While it is more common to hear these works
performed by larger ensembles, this historically-informed performance
honors the repertoire's intimacy by only employing 32 voices and a
similarly sized orchestra. All three pieces on this album were touched
by hands beyond those of their composers. While many purists have worked
extensively to cleanse iconic works of foreign elements, this
performance embraces them. Bach's Ein feste Burg proudly features the
extra parts for three trumpets and timpani added by his son, Wilhelm
Friedemann Bach. Haydn's Te Deum was written for Empress Marie Theresa
even though he was employed to write music for the Esterhazy court in
Eisenstadt. Even though the complete autograph is lost, trombone parts
were later discovered to have been written in the hand of his copyist,
Johann Elssler. So, it is probable that Haydn delivered a large-scale
work including three trombones and three trumpets to the Empress, even
though he performed a slightly down-sized version of the same work in
Eisenstadt to accommodate the orchestral forces available to him. This
recording boasts all extant parts. Finally and most famously, Mozart's Requiem was completed by Süssmayr following his death in 1791. This
album honors a perspective in which early music is still a living art
that is capable of change and worthy of exploration.
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