
The suite is a crazy blend: it is cerebral and at the same time
down-to-earth, archaic and modern at once, regional and universal,
melancholy and energetic, harsh and tender, simple and difficult,
contemplative and carefree, brilliant and mischievous- an almost
entirely forgotten masterpiece. Beethoven’s National Airs with
Variations, op. 105, is a work where opposites collide. This is the
piece on which the rest of this Beethoven programme is centered. Music
critics praise Evgenia Rubinova’s “polyphonic clarity,” her “singing
tone and sensual sonorities” (Fono Forum), her “whole hearted musical
empathy” (Piano News), her “mastery in terms of musical expression” and
her “superior art of balancing extremes” (Frankfurter Allgemeine
Zeitung). In 2003 she won the Silver Medal at the renowned Leeds
International Pianoforte Competition. Audiences acclaim and critics
unanimously praise her strong personality and fruitful imagination, the
variety of tone colors and animated counterpoint revealed in her
playing, her sense of architectural balance and her command of a work’s
entire structure.
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