Piano works by
Karol Szymanowski
pose a considerable challenge to their performers. Although the composer himself was an active
instrumentalist, he never thought about his works in a purely pianistic way. This work is full of textural complexities which, in
combination with numerous compositional indications, regulating tempo and dynamics, do not facilitate interpretation. A recording of a
pianist who earned a reputation as promoter of Polish music,
Radosław Sobczak
, shows that even the most difficult textural traps do
not pose any difficulty for this artist. The album programme consists of: Piano
Sonata No. 2 in A major. Op. 21
,
2 Mazurkas from Op. 50
,
Etude in B flat minor, Op. 4 No. 3
, and rarely performed
Preludes, Op. 1.
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