I would love to record the original Four Seasons one day. I
think that of any work in the violin repertoire Vivaldi gives you so
much scope for creativity and colour, particularly through his written
descriptions and sonnets, that you could never come to the end of the
possibilities contained within the music. I never learnt them as a kid
and then avoided them for years, partly because I’d become so accustomed
to hearing them in the background that I didn’t realise how brilliant
they really are. When I was finally booked to perform them a few years
ago, and forced to learn them, I was actually really pleased to be
coming to them fresh and without preconceptions.
For this project we would have been quite pushed to fit both sets of Seasons (Vivaldi and Richter) on a single disc. Richter’s Seasons
deserves to be heard on its own terms, rather than in a direct
comparison like that, and it felt right for this disc to put his music
in a different context. (Fenella Humphreys)
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