After Les Danaïdes and Les Horaces, Les Talens Lyriques concludes the
group’s cycle of Antonio Salieri’s French operas with the world
premiere recording of Tarare. Often unfairly overshadowed by his
brilliant contemporary Mozart, Salieri here composed a genuine
masterpiece on the only libretto ever written by Beaumarchais.
Salieri has a taste for exoticism and, like Mozart in Die Entführung
aus dem Serail, he transports us into a fantasy Orient seen through the
eyes of the pre-revolutionary philosophy of the Enlightenment.
The indefatigable Christophe Rousset, unswerving in his efforts to
revive scores that are rarely performed or have mysteriously languished
in the shadows, directs a five- star cast: the Captain of the Guard
Tarare (Cyrille Dubois) enters the palace of the Sultan Atar
(Jean-Sébastien Bou) in order to rescue his beloved, the slave Astasie
(Karine Deshayes). Behind the love triangle, one senses Beaumarchais’s
indictment of authority in his depiction (in 1787!) of the people’s revolt
against the Sultan’s tyrannical power - so much so that it is
astonishing that the plot escaped the royal censor’s net.
The music follows the story’s misunderstandings, plot twists and
spectacular scenes to produce an opera that prefigures Romanticism,
exhilaratingly performed by Les Talens Lyriques and Les Chantres of the
Centre de Musique Baroque de Versailles. A release that should restore
Salieri’s prestige once and for all.
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