With just one singer assigned to each part, the Hilliard Ensemble take a
minimalist approach to these extraordinary works. Seven of Bach's motets are included - all but one (the four-part Lobet Den Herrn, for
which the continuo is supplied by an organ) are given unaccompanied, and
the instrumental parts that survive for the double-choir Der Geist
Hilft Unser Schwachheit Auf are omitted. The results may seem
small-scale, especially to those who regard these works as the summit of
the polyphonic choral repertory and favour a monumental approach. There
are certainly moments when a greater weight of choral sound might set
the contrasts between the different section of each motet, the
antiphonal choruses, chorales and arias, into sharper relief. But every
member of this remarkable group knows exactly how they fit into the
musical scheme - it is likely, too, that the performances of Bach's own
time were on this scale. So this disc is a natural successor to the
Hilliard's previous excursions into pre-baroque music, supremely musical
and overflowing with food for thought. (Andrew Clements /
The Guardian)
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