The "Low" Symphony, composed in the Spring of 1992, is based on
    the record "Low" by David Bowie and Brian Eno first released in
    1977. The record consisted of a number of songs and instrumentals and used
    techniques which were similar to procedures used by composers working in
    new and experimental music. As such, this record was widely appreciated by
    musicians working both in the field of "pop" music and in experimental
    music and was a landmark work of that period.
  
I've taken themes from three of the instrumentals on the record and, combining
    them with material of my own, have used them as the basis of three movements
    of the Symphony. Movement one comes from "Subterraneans," movement
    two from "Some Are" and movement three from "Warszawa."
My approach was to treat the themes very much as if they were my own and
    allow their transformations to follow my own compositional bent when possible.
    In practice, however, Bowie and Eno's music certainly influenced how I worked,
    leading me to sometimes surprising musical conclusions. In the end I think
    I arrived at something of a real collaboration between my music and theirs. (Philip GlassNew / York City, 1992)
Heroes, like the Low Symphony of several years ago, is based on the work
      of Bowie and Eno. In a series of innovative recordings made in the late
      70's, David and Brian combined influences from world music, experimental
      avant-garde, and rock and roll and thereby redefined the future of popular
    music. 
  
The continuing influence of these works has secured their stature
      as part of the new "classics" of our time. Just as composers
      of the past have turned to music of their time to fashion new works, the
      work of Bowie and Eno became an inspiration and point of departure of symphonies
    of my own. (Philip Glass)

 
 
 
 
 
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